China Has Blacklisted Richard Gere from Mainstream Movies
Actor says his outspoken views on Tibet have stirred up controversy among Chinese investors in Hollywood
Richard Gere once enjoyed the life of a studio A-lister, with popular films such as “American Gigolo” and “Pretty Woman.” But he’s now insisting his political activism has led to a new life as an actor tackling indie cinema — and he’s perfectly happy to be there.
As a piece in The Hollywood Reporter notes, it all started in 1993, when Gere went off-script at the Academy Awards and protested China’s occupation of Tibet and its “horrendous, horrendous human-rights situation.” Susan Sarandon and Tim Robbins also went off script to speak on behalf of Haitian refugees. As a result, Gil Cates, the show’s producer, vowed to ban all three from future Oscars broadcasts.
Even so, Gere continued to speak out. In 2008 he called for a boycott of the Beijing Olympics, and he still supports the cause through his two foundations. Today, the 67-year-old actor has been banned for life from China.
“There are definitely movies that I can’t be in because the Chinese will say, ‘Not with him,'” Gere told the publication. “I recently had an episode where someone said they couldn’t finance a film with me because it would upset the Chinese.”
“There was something I was going to do with a Chinese director, and two weeks before we were going to shoot, he called, saying, ‘Sorry, I can’t do it,'” Gere added about being ousted from an independently financed, non-studio film that never aimed for a Chinese release but had a Chinese director. “We had a secret phone call on a protected line. If I had worked with this director, he, his family would never have been allowed to leave the country ever again, and he would never work.”
However, Gere insisted Hollywood’s relationship with China hasn’t affected him professionally.
“The studios are interested in the possibility of making huge profits,” Gere explained. “But I’m still making the same films that I was making when I started. Small, interesting, character-driven, and narrative-driven stories. It hasn’t impacted my life at all.”
These days, Gere actually prefers doing smaller films.
“I was successful enough in the last three decades that I can afford to do [smaller films] now.”
“I’m not interested in playing the wizened Jedi in your tentpole,” he said. “I was successful enough in the last three decades that I can afford to do these [smaller films] now.”
Still, he doesn’t regret the success he experienced during the ’80s, which he described as a more permissive era.
“I was doing things in ‘Gigolo’ and even ‘Officer and a Gentleman,’ and it was pretty sexy,” said Gere. “I suppose all of us were highly influenced by European films. It was much freer. And we felt like [we were] out there in the wilds of Hollywood.”
One movie that continues to touch Gere from his heyday was his 1990 romantic comedy, “Pretty Woman.”
“Gary Marshall was a Svengali,” said Gere. “The cast was just right. Julia [Roberts] was magic. It just happened. It was one of those alchemical things that cannot be repeated or manufactured.”
This article originally appeared in Fox News and is used with permission.
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