At this point, Alec Baldwin isn’t so much doing an impersonation of President Donald Trump as he is sparring with him. It’s adversarial. It’s personal.

In the past, for instance, Dana Carvey was able to poke fun at George H. Bush, but still get invited to the White House, have the guy tape his own comical rebuttals, and more. Phil Hartman had fun with Bill Clinton, turning him into a jogger who ate McDonald’s on the sly and made sure the Secret Service knew to keep it from Hillary, along with other things, and Bill was in on the joke. Heck, even Tina Fey shared the stage with Sarah Palin. No backbiting in the press afterwards, no sniping from red carpets.

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Basically, “SNL” isn’t just supporting Alec Baldwin’s war with Trump — they’re fostering it. He’s a guy who baits on social media the person he’s playing all week, and goads him in the press — then feigns surprise when the commander-in-chief does not respond in kind. Baldwin’s not performing so much as he is straight-up antagonizing.

The line has gotten so blurry that a Dominican newspaper, El Nacional, inadvertently ran a photo of Baldwin-as-Trump when it meant to run one of Donald Trump himself.

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And then there is Rosie. We knew she was coming. She, too, took to the baiting when she changed her Twitter profile pic in advance of Baldwin’s 17th time hosting the series to one in which she looked like Steve Bannon. Hint of things to come?

As it turned out, no. But that didn’t mean Baldwin — and the show, as a result of his hosting — didn’t go all-in on Trump. During a “People’s Court” sketch, Baldwin’s Trump squared off against the three judges who voted against his “band” this week — and it was “Trump-mania” for pretty much the entire show,  even if Baldwin’s Trump sat out much of it.

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The show’s hallmark “Weekend Update” segment was pretty much dedicated to Trump, and also where Kate McKinnon’s Elizabeth Warren impression made its debut. McKinnon doubled down, actually, also playing Jeff Sessions to a returning Melissa McCarthy as Sean Spicer. Oh yeah, be prepared to see that played to death.

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And McKinnon wasn’t done there. She played Kellyanne Conway, too, in a sketch that saw the writers reaching back over 30 years to riff on “Fatal Attraction.” It was CNN’s Jake Tapper who was on the receiving end of her perilous affections, however. McKinnon’s Conway, too, is an example of a performer’s personal feeling fueling the impression, and as a result it can all be pretty darn creepy and uncomfortable at times.

While “SNL” tried to give a balanced show, also serving up “50 Shades Darker” bits and the like, it is hard not to view the show as giddy about the Trump victory, and even giddier that the guy they chose to play him back in the summer has actually developed a very real, very hostile relationship with him.

After all, had Hillary won, surely Dakota Johnson, star of that “50 Shades” movie, would have been hosting this weekend. What does Baldwin have to promote? He voices a baby in a cartoon due out in late March.

And he’s getting paid to behave like one every week on “SNL.”