A 36-year-old biological male based out of Norway who identifies himself as a transgender woman has been working on a video game over the past few months where would-be players assume the role of a transgender character who kills biological women who are critical of the trans agenda and radical gender theory.
Sandra Moen, the biological male in question, has been hard at work since around July of 2022 with a reskinned version of the 1992 classic Wolfenstein 3D, where instead of players assuming the role of a spy escaping a prison in WW2 Germany as it is in the original game, gamers will play as a transgender woman (a.k.a., a biological male) and will proceed to “shoot gender fascists.”
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The title of the work in progress is unsurprisingly called “Terfenstein 3D,” a play on the acronym “TERF” which is oft-touted by transgender activists as a pejorative aimed at biological women that stands for “trans-exclusionary radical feminist.”
Back in July, Moen shared a first glimpse at his work on unsettling misogynistic game centered around his fantasies of harming biological women, writing on Twitter, “I’m making a shooting game where you shoot gender fascists in a fictional universe (ala Wolfenstein 3D). I found out how to make directional sprites, now you can shoot the sex fascists in the back! The graphics of the enemy are a placeholder demo.”
In the weeks and months that followed, Moen would continue to provide updates on his work on the game, gleefully boasting of additions of gore and even hinting that a woman depicted in the game is designed after someone she takes issue with.
“Made props, tables, chairs, vases, ceiling lamps…Maybe not so exciting even if it happens.”
“Creating level art for better immersion. Do you see who this picture is of?”
“Put blood on the walls, got a lot more gory!”
“Driving to add level design tricks. The game is becoming beautiful, a piece of queer art. Do you think I’ll make money for this? However controversial, if it turns out to be too negative, I’ll shelve the whole thing.”
“Then there are priests. Gender fascists allied themselves with Christian conservatives.”
“Ever wanted to blow the face off a turf standing next to dangerous barrels? The game is being developed further, stay tuned.”
Needless to say, the project of Moen’s hasn’t resonated terribly well with some of his fellow Norwegians, as Twitter commenters shared their take amid various posts of Moen’s to detail their utter disgust over the unnerving exploit.
“Love when the #BeKind movement shows its true face. It is said that imitation is the highest form of flattery, but personally, I am starting to get sick of men wearing wigs invading my and my sisters’ areas.”
“Ooo, so curious. Then tell us ‘Sandra.’ Which of us are you most sexually excited to kill?”
“Distinguishing between the fictional and reality is not your strong side, Sandra. If you are going to imitate being a woman, it is wise to give women room to push what they see with their own eyes. It is only men who imitate being a woman quite badly who create such fictional universes.
“You are incredibly childish, you clown. How old are you? Your nonsense here shows that the name you have chosen is just nonsense. Only male incels do that nonsense there. Get your act together and grow up. People should be allowed to have different opinions than you.”
This reskinned version of Wolfenstein 3D isn’t the first time Moen has dipped his hands in making transgender-themed games, as he also created the game “Trans Agent X,” which he describes the game as “a sci-fi video game about trans people who visit a post-apocalyptic Earth in search of a lost artifact. Each enemy in the game depicts a narrative fragment of ‘treatment’ that trans people in Norway were subjected to at Rikshospitalet. These fragments are collected from the Norwegian transgender community, Norwegian media, and personal experience. The video game explores themes of growth, healing, and trauma.”
For those unfamiliar with Rikshospitalet, it is a real hospital based out of Oslo in Norway that transgender activists in the country hold a disdain for since the hospital isn’t quite as zealous as the trans activists are when it comes to chemically castrating youths.
Going back to Moen, his proverbial origin story as the woman-hating villain he is today dates back to 2017 when a biological woman was rightfully alarmed when he disrobed in the women’s locker room at the Student Union in Stavanger’s training center.
The biological woman was apparently an employee at the training center and told Moen that he had zero business in the women’s locker room – which led to Moen consulting Juridisk Rådgivning for Kvinner (Legal Advice for Women) who then helped file a complaint with the Equality and Discrimination Ombudsman on his behalf.
Luckily, the case went nowhere in terms of benefitting Moen, with the ombudsman finding that a biological woman aghast at Moen’s male appendage appearing in the women’s locker room is not ground for a harassment and discrimination case.
In an interview from September of 2021, Moen shared how ecstatic he was when Legal Advice for Women helped him with his case, despite losing the legal effort, telling outlet Journalen that it was “something the TERFs still complain about. I find that entertaining.” The unabashed misogynist likened his efforts of invading women’s spaces as a sort of neo-women’s rights endeavor, saying, “The fight for trans rights is in many ways the women’s fight of our time.”
In a podcast interview this past March, Moen revealed that his desire to indulge in the fantasy of being female originally derived from his consumption of online pornography depicting biological males who identified as transgender.
“I began to understand that I was trans when I came across pornography featuring trans women. I have never made the connection that ‘penis’ means ‘man.’ [The male performers] were women, but they had a penis. I began to question – if they have a penis, how could other people know that they were girls when they were children? And of course, they wouldn’t know. So then I started questioning – what if I am one of these pretty ladies, in reality?”
In a November 2020 article by trans agenda critic Genevieve Gluck, she dug into the obvious connection between the rise of transgenderism as a social contagion and the simultaneous rise of online pornography depicting transgenders.
“In recent years, trans pornography has soared in popularity. According to Pornhub’s metadata, both ‘trans’ and ‘transgender’ porn searches have more than quadrupled in the three years between 2014 to 2017 and, by 2018, ‘trans’ was ranked the fifth highest search term of the year.”
Tales about parents of young children who wound up developing ROGD (rapid onset gender dysphoria) have also shared accounts of how they eventually learned that exposure to transgender pornography online coincided with their children’s desire to cosplay as the opposite sex.
But in Moen’s case, despite him wanting to dress up like a woman, he clearly holds a violent grudge against biological women, as evidenced by his designing of this video game where he can bask in the fantasy of killing the women who’ve rightfully acknowledged him as a man.
People like Moen are not well, and their disturbing fetishes are edging all the more closer to enacting real-world violence.
This piece was written by Gregory Hoyt on October 21, 2022. It originally appeared on RedVoiceMedia.com and is used with permission.
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